Risking the Archive: Film Heritage and the Aesthetic Virtue of Challenging Norms
Kinemathek – Hall
Keynote Speech
With: Vinzenz Hediger (Cinematèque suisse)
In the modern ‘Western’ world, artworks are valued for their novelty and originality – for the risk that artists take when they challenge aesthetic and, by extension, social norms. As the polymath John Ruskin wrote in the 19th century, taste is not a question of morality: it is the only morality.
How are archival practices being shaped by the pervasive concept of risk as an aesthetic virtue? Is regarding risk in this way a coercive or, conversely, a liberating framework for archival practices? Does it result in works of the historical avant-garde being given preference at the expense of other parts of film heritage? Or does it, on the contrary, open a space for archival risk-taking beyond the canon of modernity? And which historical narratives of shared provenance and futures will be produced as a result of archival risk-taking?
‘Risking the archive’ can mean putting the archive at risk, i.e. taking risks with the archive; but it can also mean taking risks within the archive itself. This presentation explores these two aspects with a view to both archival practices and heritage policy.
In English
| Tickets | € 10 |
| When | Thu 22.10.26, 17:00 |
| Where |
Event details
Event Details
Vinzenz Hediger
is the director of the Cinémathèque suisse. From 2002 to 2025, he taught film studies in Bochum and Frankfurt/Main. From 2017 to 2026, he directed the DFG Research Training Group “Configurations of Film” at the Goethe University Frankfurt. Most recently, he taught as a visiting professor at Dartmouth College in the US. Hediger is the founding editor of the ‘Zeitschrift für Medienwissenschaft’ (‘Journal of Media Studies’), a co-founder of NECS – European Network for Cinema and Media Studies and co-curator of Archival Assembly, a festival organized by the Arsenal Filminstitut in cooperation with the Goethe University and the Cinémathèque suisse.
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About Film Restored
In 2026, the Deutsche Kinemathek’s film heritage festival explores risk in cinema. We are examining the perils facing film producers and distributors; looking at the challenges encountered in archives and during restoration work; and showing films about characters who have everything at stake. These are layers of risk that often overlap and are mutually reinforcing.
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