Schwarz-grünes Muster

Risking the Archive: Film Heritage and the Aesthetic Virtue of Challenging Norms

Film Restored
Talk
Thu 22.10.26, 17:00

Kinemathek – Hall

Keynote Speech
With: Vinzenz Hediger (Cinematèque suisse)

 

In the modern ‘Western’ world, artworks are valued for their novelty and originality – for the risk that artists take when they challenge aesthetic and, by extension, social norms. As the polymath John Ruskin wrote in the 19th century, taste is not a question of morality: it is the only morality.

How are archival practices being shaped by the pervasive concept of risk as an aesthetic virtue? Is regarding risk in this way a coercive or, conversely, a liberating framework for archival practices? Does it result in works of the historical avant-garde being given preference at the expense of other parts of film heritage? Or does it, on the contrary, open a space for archival risk-taking beyond the canon of modernity? And which historical narratives of shared provenance and futures will be produced as a result of archival risk-taking?

‘Risking the archive’ can mean putting the archive at risk, i.e. taking risks with the archive; but it can also mean taking risks within the archive itself. This presentation explores these two aspects with a view to both archival practices and heritage policy.

In English
Tickets € 10
When Thu 22.10.26, 17:00
Where
Available online and at the box office from October

Event details

Event Details

Vinzenz Hediger

is the director of the Cinémathèque suisse. From 2002 to 2025, he taught film studies in Bochum and Frankfurt/Main. From 2017 to 2026, he directed the DFG Research Training Group “Configurations of Film” at the Goethe University Frankfurt. Most recently, he taught as a visiting professor at Dartmouth College in the US. Hediger is the founding editor of the ‘Zeitschrift für Medienwissenschaft’ (‘Journal of Media Studies’), a co-founder of NECS – European Network for Cinema and Media Studies and co-curator of Archival Assembly, a festival organized by the Arsenal Filminstitut in cooperation with the Goethe University and the Cinémathèque suisse.

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About Film Restored

In 2026, the Deutsche Kinemathek’s film heritage festival explores risk in cinema. We are examining the perils facing film producers and distributors; looking at the challenges encountered in archives and during restoration work; and showing films about characters who have everything at stake. These are layers of risk that often overlap and are mutually reinforcing.

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