These film posters originate from the National Socialist era (1933-1945), a period in which the film industry in Germany was completely under state control. To understand the works that were created in this context, it is necessary to also take into consideration the production and reception histories that were shaped by National Socialist ideology during those years.
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Drei Kaiserjäger (G 1933, directed by Robert Land and Franz Hofer)
Source: Deutsche Kinemathek
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Drei Kaiserjäger (G 1933, directed by Robert Land and Franz Hofer)
Source: Deutsche Kinemathek
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Mademoiselle Josette, ma femme (F 1933, directed by André Berthomieu)
Source: Deutsche Kinemathek
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Der Abschiedswalzer (G 1934, directed by Geza von Bolvary)
Source: Deutsche Kinemathek
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Die Reiter von Deutsch-Ostafrika (G 1934, directed by Herbert Selpin)
Source: Deutsche Kinemathek
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Die Reiter von Deutsch-Ostafrika (G 1934, directed by Herbert Selpin)
Source: Deutsche Kinemathek
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Ich sehne mich nach dir (G 1934, directed by Johannes Riemann)
Source: Deutsche Kinemathek
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Man of Aran (GB 1934, directed by Robert Flaherty)
Source: Deutsche Kinemathek
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Man of Aran (GB 1934, directed by Robert Flaherty)
Source: Deutsche Kinemathek
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Meine Frau, die Schützenkönigin (G 1934, directed by Carl Boese)
Source: Deutsche Kinemathek
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Miss Fane's Baby is Stolen (USA 1934, directed by Alexander Hall)
Source: Deutsche Kinemathek
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Wenn Mutter nicht zuhause ist (G 1934, directed by Gerhard Dammann)
Source: Deutsche Kinemathek
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Die lustigen Weiber (G 1935, directed by Carl Hoffmann)
Source: Deutsche Kinemathek
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Der lachende Dritte (G 1936, directed by Georg Zoch)
Source: Deutsche Kinemathek
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Susanne im Bade (G 1936, directed by Jürgen von Alten)
Source: Deutsche Kinemathek
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Susanne im Bade (G 1936, directed by Jürgen von Alten)
Source: Deutsche Kinemathek