© Revenante Films
Winter Kept Us Warm
Si̇nema Transtopia
Leaving his small town to attend university in Toronto, introspective freshman Peter finds a campus steeped in tradition, but one also waking up to the radical politics of the 1960s. He connects with the handsome and cocksure sophomore Doug, who quickly introduces Peter to city and college life. But as their bond grows, Doug’s girlfriend Bev feels increasingly cast aside and begins to question the nature of this friendship. Tensions come to a head when Peter starts dating Sandra, forcing Doug to confront his true feelings and desires. The film’s aesthetics, supported by a breezy jazz score, are as youthful as the then 22-year-old director. Hailed as Canada’s first queer film and the country’s first English-language entry in competition at Cannes, ‘Winter Kept Us Warm’ took risks at a time when homosexuality was still criminalized.
CA 1965, director: David Secter, 82 min, OV (EN)
Introduction: Yaël Halbron (Revenante Films)
| Tickets | € 10 |
| When | Thu 22.10.26, 12:00 |
| Where |
Event details
Event details and guests
Film Info
D: David Secter
W: David Secter
C: Robert Fresco, Ernest Meershoek
E: Michael Foytényi
A: John Labow, Henry Tarvainen, Janet Amos, Joy Tepperman
P: Varsity Films
Prod: David Secter
WP: September 1965
Original format: 16mm, b/w
Screening print: 4K DCP, 82 min, Revenante Films
Restoration Information
In 2025, the film was scanned and restored in 4K from the original 16mm A/B camera negatives by Canadian International Pictures, with sound transferred from the answer print. The restoration funding was provided by Telefilm Canada.
Yaël Halbron
is the founder of the Paris-based Revenante Films, an exhibition-first film agency dedicated to the international distribution of restored and rediscovered cinematic works. She works with filmmakers, producers, distributors and archives to bring classic films back into circulation. Halbron has been selected for professional development programs at the Locarno Film Festival and the International Federation of Film Archives (FIAF).
Weitere Informationen zum Festival
About Film Restored
In 2026, the Deutsche Kinemathek’s film heritage festival explores risk in cinema. We are examining the perils facing film producers and distributors; looking at the challenges encountered in archives and during restoration work; and showing films about characters who have everything at stake. These are layers of risk that often overlap and are mutually reinforcing.
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Further events
Thursday 22.10.
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Film Restored
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Si̇nema Transtopia
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Film Restored
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Si̇nema Transtopia
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Film Restored
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Si̇nema Transtopia
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Film Restored
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