A man wearing a cloak and a tie is standing in front of a bed. Another man is lying in that bed.

© Sinematek/Sinema Evi Istanbul 

Drakula İstanbul’da

Film Restored
Film
Sun 25.10.26, 15:30

Si̇nema Transtopia

‘Dracula in Istanbul’, the earliest surviving Turkish horror film, is a local version of Bram Stoker’s ‘Dracula’. Count Dracula seeks to purchase numerous properties in Istanbul through his lawyer Azmi, who has traveled to Romania. When Azmi discovers that Dracula is, in fact, a vampire, he attempts to kill him. Dracula’s escape and subsequent arrival in Istanbul spell grave danger for Azmi’s fiancée and her cousin. The film is notable for its cinematography and art direction, as well as some impressive visual effects. Research suggests that Dracula’s fangs appear for the first time in cinema history in this film. While every mortal’s life is at risk on screen, the film’s survival was also in jeopardy before a time-sensitive restoration of the severely damaged original materials saved the work for posterity.

‘Dracula in Istanbul’, TR 1953, director: Mehmet Muhtar, 102 min, OV with EN subtitles
Tickets € 10
When Sun 25.10.26, 15:30
Where
Available online and at the box office from October

Event details

Event details and guests

Film Info

D: Mehmet Muhtar
W: Ümit Deniz, Turgut Demirağ, Mehmet Muhtar, based on the novel by Ali Rıza Seyfi
C + E: Özen Sermet
M: Turgut Demirağ, Karlo Kapoçelli
A: Annie Ball, Atıf Kaptan, Bülent Oran, Ayfer Feray, Kadri Ögelman, Cahit Irgat
P: And Film
Prod: Turgut Demirağ
WP: March 1953

Original format: 35mm, b/w
Screening print: 4K DCP, 102 min, Sinematek/Sinema Evi

Restoration Information

The film’s nitrate-based original negative was preserved in the archives of the Turkish Film & TV Institute at the Mimar Sinan Fine Arts University where it was scanned at 4K in 2025 under the commission of Sinematek/Sinema Evi, sponsored by the company Kurukahveci Mehmet Efendi.

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About Film Restored

In 2026, the Deutsche Kinemathek’s film heritage festival explores risk in cinema. We are examining the perils facing film producers and distributors; looking at the challenges encountered in archives and during restoration work; and showing films about characters who have everything at stake. These are layers of risk that often overlap and are mutually reinforcing.

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