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Film festival

Lost in the 90s

Berlinale Retrospective

12.–22.2.26

General information

About the 2026 Retrospective

Lost in the 90s

The Retrospective the 76th Berlin International Film Festival puts the spotlight on one of the most influential decades in recent film history. The end of the Cold War and the opening up of borders triggered a creative surge in cinema in the 1990s – in Berlin and Eastern Europe, but also internationally. Filmmakers from both East and West literally explored new spaces. While the crisis-rattled film industry in Eastern Europe had to adapt to the brave new world of market capitalism, Berlin was gripped by a new sense of freedom. Filmmakers began to discover the other side of the East-West divide and to shoot their films there. Video and Music Television (MTV) conquered the market, the digital revolution – although still in its infancy – began its forward march, and stylistically, anything was possible in the film world. 

Topics

The Retrospective will look at this epoch in three thematic sections, “Berlin”, “East Meets West”, and “The End of History”, in an attempt to capture the nineties zeitgeist. The first will focus on Berlin films of the 1990s, with films such as Michael Stocks' ‘Prinz in Hölleland’ (‘Prince in Hell’, 1993). The second leitmotif looks at interchange, with cinematic explorations from East and West. While the third focal point, with its title an ironic paraphrase of Francis Fukuyama’s outmoded theory on “The End of History” and the triumph of global market capitalism, encompasses works critical of the system, with the rise of the slacker and other subcultures. US-American cinema in particular produced intense cinematic portraits of Generation X, such as Richard Linklater's ‘Slacker’ (1990), John Singleton's ‘Boyz n the Hood’ (1991), and ‘Party Girl’ (1995, dir: Daisy von Scherler Mayer). 

New artistic director

For the first time, the Berlinale Retrospective will be curated by the Kinemathek's new artistic director, Heleen Gerritsen, and her team. Heleen Gerritsen has been artistic director of the Deutsche Kinemathek since June 2025 and is responsible for the Berlinale sections Retrospective and Berlinale Classics. She studied Slavic studies, Eastern European history, and economics in Amsterdam, as well as Russian philology in Saint Petersburg. Her professional career has taken her to ARTE, SWR, and RBB, among others. From 2014 to 2016, she headed dokumentART, and from 2017 to 2025, goEast. Her work focuses on Central and Eastern European cinema, memory culture, and immersive formats. She is internationally active as a curator, author, and juror. 

Films and events

The 2026 Retrospective will showcase 24 films. The Kinemathek will also be hosting a series of discussions and networking events at the E-Werk venue.

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All films

  • Eine junge Frau schat einen älteren Mann freundlich an. Sie hält ein Buch: Lotte in Weimar von Thomas Mann

    Allemagne année 90 neuf zéro

    Lemmy Caution, a western intelligence agent in East Germany, travels through the unravelling country, visited by the ghosts of Germany past. A multi-layered collage of sound and image that uses numerous classic German films. 

    F 1991, directed by Jean-Luc Godard

  • Eine Gruppe von Schwarzen Menschen und ein weißer Mann sitzen um einen Bürotisch. An den Wänden hängen Fotos von Sportlegenden.

    Bamboozled

    A Black television writer tries to get fired by creating the “New Millennium Minstrel Show”, showcasing racist stereotypes, but then it becomes a huge hit. With his satire of the media, Spike Lee indicted the racism inherent in America’s popular culture. 

    USA 2000, directed by Spike Lee

  • Ein belebter Bahnhof mit vielen Menschen auf dem Zugsteig

    Berlin, Bahnhof Friedrichstraße 1990

    A changing of track. Observations and interviews with border guards and commuters at Berlin’s Friedrichstrasse station in 1990, as the border between East and West Germany was becoming ever more porous and this crossing was already being dismantled. 

    G 1991, directed by Konstanze Binder, Lilly Grote, Ulrike Herdin, Julia Kunert

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    Boyz n the Hood

    A classic of New Black Cinema. Growing up in disadvantaged circumstances in a neighbourhood riddled with drugs, robberies and shoot-outs, a young man develops a strong personality that saves him from sliding into a life of crime. 

    USA 1991, directed by John Singleton

  • Vier Personen gehen auf einer Straße, ein Auto fährt neben ihnen.

    D’Est

    A documentary following a journey from West to East, from summery Germany to wintry, snowy Moscow. In this road movie of still lifes, which eschews voiceover narration, the camera explores the landscapes and the faces of the people who live in them. 

    B/F/P 1993, directed by Chantal Akerman

  • Ein Mann in Uniform schaut aus einem Fenster.

    Der Kontrolleur

    A psychological study of a “borderline” regime fanatic. A former East German border guard is unable to come to terms with the fall of the Wall. The widowed loner continues to show up for “duty” at the abandoned border crossing where his behaviour ends in tragedy. 

    G 1995, directed by Stefan Trampe

  • Ein Mann steht mit ausgebreiteten Armen auf der Bühne, der Publikumssaal ist voller Leute.

    Glocken aus der Tiefe. Glaube und Aberglaube in Rußland

    A visual study of believers and religious charlatans in Siberia after the dissolution of the Soviet Union. A fascinated Werner Herzog encounters real spirituality and genuine ecstatics, but also dubious faith healers and shamans. 

    G/USA 1993, directed by Werner Herzog

  • Ein Mann in Uniform hält ein Tigerbaby.

    Gorilla Bathes at Noon

    After the Red Army withdraws from the former East Germany, a Russian major is left wandering aimlessly around Berlin, which he experiences as a theatre of the absurd. A post-socialist satire incorporating documentary fragments and archival footage. 

    G/YU 1993, directed by Dušan Makavejev

  • Dein Mann mit grünem Hut und Bart sitzt in einem roten Bus, im Hintergrund ein Haus mit einem Porträt Erich Honeckers.

    Im Glanze dieses Glückes

    Citizens of East Germany talk about their experiences and feelings in the face of upcoming elections that will lead to reunification with the West. The past is tinged with regret, frustration and anger, while the future is uncertain. 

    G 1990, directed by Johann Feindt, Jeanine Meerapfel, Helga Reidemeister, Dieter Schumann, Tamara Trampe

  • Drei Frauen lachen aus einem Zugfenster.

    Johanna d’Arc of Mongolia

    Beguilingly staged, yet with a documentary feel, the film follows four women travelling alone from western Europe and the USA who are taken hostage by a Mongolian princess and establish close contact with the culture of “the most hospitable people on Earth”. 

    G 1989, directed by Ulrike Ottinger

  • Ein junger Schwarzer Mann sitzt an DJ-Turntables, hinter ihm eine Gruppe von jungen Leuten, die ihm zuhört.

    Juice

    Spike Lee’s cinematographer Ernest R. Dickerson’s directorial debut. A story of four young Black men in Harlem featuring hip-hop stars Tupac Shakur and Queen Latifah. Quincy dreams of becoming a star DJ, while his pal Bishop wants to be a rich gangster. 

    USA 1992, directed by Ernest R. Dickerson

  • Eine junge Frau sitzt im Zug am Fenster und schat durch eine Glasmurmel. Sie spiegelt sich im Fenster.

    La double vie de Véronique

    A drama as sensual as it is transcendent. Weronika, a young singer in Poland, feels a close connection to her doppelganger in France. After Weronika dies, the Frenchwoman Véronique also develops an inexplicable sense of their mystical relationship. 

    F/PL/N 1991, directed by Krzysztof Kieślowski

  • Franka Potente in der Rolle als Lola rennt in großer Geschwindigkeit.

    Lola rennt

    Lola has 20 minutes to come up with 100,000 marks or a gangster will kill her boyfriend. The film is split into three segments, each depicting a possible way to get the money. A flash-forward photo story – a post-modern bricolage as cinematic loop. 

    G 1998, directed by Tom Tykwer

  • Drei Drag Queens in glitzernden Kostümen tanzen auf einer Bühne.

    Lola und Bilidikid

    Lola is part of “The Migrant Workers”, a Turkish drag queen troupe who perform to great acclaim. Lola’s gay little brother Murat, on the other hand, is just beginning his search for an identity. An intense family drama set in “Anatolian” Berlin-Kreuzberg. 

    G 1998, directed by Kutluğ Ataman

  • Eine Gruppe von Menschen in orangefarbenen Westen steht und sitzt am Rand eines Zuggleises.

    Oranzhevye Zilety

    A radical cinematic letter about the hardships facing women in the collapsing Soviet Union. Shot in Belarus, Tajikistan, Ukraine and Siberia, these interviews and observations document the exploitation and repression of an unwavering patriarchal doctrine. 

    BY/G 1993, directed by Yury Khashevatsky

  • Zwei Teenager, ein Mädchen und ein Junge, stehen an einem Hotdog-Stand und halten Essen und Getränke.

    Party Girl

    After she is arrested for organising an illegal dance party, a madcap New Yorker works in a public library to pay off her bail money. Parker Posey is brilliant as the “Gen X Holly Golightly” in this indie version of a screwball comedy. 

    USA 1995, directed by Daisy von Scherler Mayer

  • Zwei Männer mit freiem Oberkörper sitzen auf einem umgedrehten Holzboot an Land, einer beugt sich über den anderen.

    Prinz in Hölleland

    A maverick living in a trailer in Kreuzberg has a heroin habit that wrecks his relationship and, in the end, his entire precarious existence. The film is a graphic, sometimes extreme portrayal of the queer, off-the-grid milieu in gritty West Berlin. 

    G 1993, directed by Michael Stock

  • Eine Gruppe von mehreren Personen in Schutzanzügen und Gasmasken

    Raspad

    After the nuclear meltdown in Chernobyl, a journalist attempts to report from the site of the catastrophe. Raspad is an unusual disaster film, with decay raging on many levels, interspersed with astonishing breaks from reality.

    UKR (SSR) / USA 1990, directed by Mykhailo Belikov

  • Junge Menschen sitzen im Café an einem Tisch im Freien und unterhalten sich.

    Slacker

    An improvised circle dance of some 100 players on the streets of Austin, Texas. The fanciful experiences and absurd dialogue of these young “slackers” turn Richard Linklater’s first theatrical outing into a manifesto for Generation X. 

    USA 1990, directed by Richard Linklater

  • Zwei Personen stehen unter einem Regenschirm und unterhalten sich.

    So schnell es geht nach Istanbul

    A young Turkish man working in West Berlin looks for a girlfriend in East Berlin, so he can move there and save up money faster for a return to Istanbul. This culture-clash comedy was Andreas Dresen’s graduation film at the Konrad Wolf film school. 

    G 1991, directed by Andreas Dresen

  • Ein junger Mann mit Sonnenbrille zeigt mit dem Finger direkt Richtung Betrachter.

    Sunny Point

    A satire about a West Berlin commercial producer with an East German background. To stave off his company’s bankruptcy and collect a second round of Western aid money, he “repeats” his flight from East Berlin – on, of all days, November 9, 1989. 

    G 1995, directed by Wolf Vogel

  • Ein Mann verkleidet als Tito, in Uniform mit Blumenstrauß, umgeben von Menschen.

    Tito po drugi put međju Srbima

    An actor dresses up as the former Yugoslavian ruler, Tito. Walking around Belgrade, he talks to passers-by, evoking a variety of reactions. This “happening” triggers heated discussions, documented on film. 

    SRB/MNE 1994, directed by Želimir Žilnik

  • Eine große Menschenmenge bei einer Demonstration mit roten Plakaten und Transparenten.

    Videogramme einer Revolution

    A minute-by-minute chronology of the Romanian revolution in December 1989 in Bucharest. This cinematic montage of live footage from the state television company TVR and video taken by numerous amateurs becomes a new media-based form of historiography. 

    G 1992, directed by Harun Farocki, Andrei Ujica

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    Wildwood, NJ

    Shot with an all-female crew on Super 8, ‘Wildwood, NJ’ catapults the audience into the lives and stories of young American women in the 1990s. Yet under the blazing sun of the Jersey Shore, it also sometimes reveals the underbelly of the boardwalk carnival. 

    USA 1994, directed by Ruth Leitman, Carol Weaks Cassidy 

Imprint

Credits

Head of the Retrospective, Artistic Director, Deutsche Kinemathek: Heleen Gerritsen 

Retrospective Curatorial Board: Heleen Gerritsen, Annika Haupts

Program Coordinator: Annika Haupts

Festival Coordinator: Anke Hartwig

Festival Manager: Christin Meyer

Team Assistance: Maria-Sophie Jenkel

Press: Silke Lehmann

Author: Jörg Schöning

Editor: Julian Born

Translator: Rebecca M. Stuart

Subtitling Coordinator: Noémie Causse

Film Print Coordinator: Steffen Vogt

Partners and funders

  • The Deutsche Kinemathek organizes the Retrospectives and Berlinale Classics of the Berlin International Filmfestival.

  • The Deutsche Kinemathek is financially supported by the Federal Government Commissioner for Culture and the Media.

  • The 2026 Retrospective was made possible with funding from the Federal Foundation for the Study of the Communist Dictatorship in Germany.