© DFF – Deutsches Filminstitut & Filmmuseum, Frankfurt am Main
Sensation im Wintergarten
Kinemathek – Hall
As a child, Count Paul Mensdorf ran away from home to join a travelling circus. After many years, he returns to his hometown of Berlin, now a world-famous trapeze artist going by the name of ‘Frattani’. Risk is at the center of his performance and his perilous variety act promises thrills for his audiences both on and off-screen. While Paul has been away, his two-faced and conniving stepfather, Baron von Mallock, has exploited Paul’s wealthy mother to fund his extravagant lifestyle. Now the Baron feels threatened by Paul’s return and is prepared to go to any length to keep him from getting what is rightfully his.
‘Their Son’, GER 1929, director: Gennaro Righelli, 102 min, OV with EN subtitles, silent with live music
Introduction: Thomas Worschech (Deutsches Filminstitut & Filmmuseum)
Music: Günter A. Buchwald (piano) und Frank Bockius (drums and percussion)
| Tickets | € 10 / concessions € 7 |
| When | Sun 25.10.26, 18:00 |
| Where |
Event details
Event details and guests
Film Info
D: Gennaro Righelli
W: Hans Jacoby, Georg C. Klaren
C: Mutz Greenbaum
A: Paul Richter, Claire Rommer, Erna Morena, Gaston Jacquet, Wladimir Sokoloff, Adolphe Engers
P: Lothar Stark GmbH
Prod: Lothar Stark
WP: September 1929
Original format: 35mm, b/w
Screening print: 4K DCP, 102 min, DFF – Deutsches Filminstitut & Filmmuseum
Restoration Information
The restoration of this film itself proved to be a ‘risky business’ because the absence of the entire third reel demanded a balance between minimal intervention and narrative comprehension. The 2025 restoration in 4K by the DFF – Deutsches Filminstitut & Filmmuseum was from an incomplete 35mm nitrate print with Swedish intertitles and a duplicate negative made in 1994. The German intertitles were recreated with the aid of the permit card issued in 1929. Explanatory intertitles were added to fill gaps in the narrative. The digitization was funded by the German Film Heritage Program (FFE).
Frank Bockius
is a versatile drummer and percussionist who has devoted much of his musical career over the past 30 years to silent film accompaniment. He regularly performs at major festivals and venues around the globe and records soundtracks for silent films. Over the years, Bockius has developed a close musical partnership with Günter A. Buchwald.
Günter A. Buchwald
is a pianist, violinist, conductor and composer. He is recognized as a pioneer of the silent film music renaissance and one of the most experienced musicians in this field. Since 1978, he has been accompanying silent films with a repertoire that now includes more than 3,600 titles. Since 1984, he has performed regularly at film festivals in Berlin, Bonn, Munich, Zurich, at the Bristol Slapstick Festival (as musical director), the Giornate del Cinema Muto silent film festival in Pordenone and, since 2013, at the San Francisco Silent Film Festival. He regularly conducts symphony and chamber orchestras and composes music for silent films. Among other honors, Buchwald is the recipient of the City of Freiburg’s Culture Prize (2012), the Ad Hoc Prize from the Beethoven Festival in Bonn (2012), the German Silent Film Prize (2021) and the Honorary Film Prize of the State of Baden-Württemberg (2022).
Thomas Worschech
studied economics and then worked freelance for various museums. Since 1999, he has been head of the film archive and film technology collection at the DFF – Deutsches Filminstitut & Filmmuseum in Frankfurt/Main (German Film Institute & Film Museum) where his work includes film restoration and DVD production; collaboration on and conceptualization of film history exhibitions and film series; and editing catalogues and publications on German cinema. Since 2013, Worschech has also been responsible for the DFF’s digitization projects.
Weitere Informationen zum Festival
About Film Restored
In 2026, the Deutsche Kinemathek’s film heritage festival explores risk in cinema. We are examining the perils facing film producers and distributors; looking at the challenges encountered in archives and during restoration work; and showing films about characters who have everything at stake. These are layers of risk that often overlap and are mutually reinforcing.
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