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DESCRIPTION:Studying film means grappling with expectations – your own and 
 other people’s\, real and imagined – and in the end it is a process of ema
 ncipation. The starting point for the program “Spiralling” was the questio
 n of how that reckoning shows up in more recent DFFB films: how student fi
 lms respond aesthetically to an education whose promise of professionaliza
 tion can also become an obstacle to originality and a spirit of experiment
 ation. Films by Florinda Frisardi\, Faraz Fesharaki / Moritz Friese\, and 
 Ewelina Rosińska\, made between 2017 and 2025 at different stages of their
  studies\, are preceded here by an early film by Raoul Peck\, who finds th
 e fulcrum of his critique in language. These films span a broad artistic r
 ange – one that opens up when filmmakers have the courage to question form
 al or ideological expectations.LeugtFRG 1983\, directed by Raoul Peck\, DC
 P\, 13 min\, German original version with English subtitles“Vowels\, conso
 nants\, pauses\, punctuation are merely forming sequences of sounds and no
 n-sounds\, from which we\, the masses\, thanks to centuries of systematic 
 political education are still able to distill intonations and stresses\, s
 o that despite ‘not having a clue what the guy has just said or what he’s 
 talking about in the first place’ we are able to applaud when expected.” (
 Raoul Peck – from a project exposé for “Leugt”\, May 1983)Reigen (Round Da
 nce)Germany 2025\, directed by Florinda Frisardi\, DCP\, 6 min\, German or
 iginal version with English subtitlesA blazing drama of jealousy plays out
  in an underground parking garage\, told in a single continuous shot. Trop
 es of popular narrative cinema that seem familiar at first are thrown off 
 balance by a narrative loop. A moving-image trompe l’oeil that leaves a la
 sting impression.It’s a criminal waste to give this film a postproductionG
 ermany/Iran 2017\, directed by Faraz Fesharaki\, Moritz Friese\, DCP\, 20 
 min\, Farsi and German original version with English subtitlesOn a film se
 t: director Faraz wants to shoot a scene in which he has a video call with
  his parents. The conversation has barely begun when his father\, above al
 l\, starts questioning the scripted dialogue. The everyday setting of a Zo
 om call sabotages the ambitions of the feature-film production apparatus.A
 shes by name is manGermany 2023\, directed by Ewelina Rosińska\, shot on 1
 6mm\, DCP\, 20 min\, no dialogueEwelina Rosińska shot her graduation film 
 on a 16mm film in the cultivated landscapes around Kraków and Lviv\, portr
 aying her grandparents’ everyday life and\, with it\, a rural way of livin
 g shaped by Catholicism. “In the writings of my favorite painter I read th
 at\, for him\, the Polish landscape seems to draw the gaze constantly down
 ward\, leading us to look not past the horizon but beneath our feet\, at t
 he bones buried under every step.” (Ewelina Rosińska)Guests: Florinda Fris
 ardi\, Sebastian Ladwig\, Faraz Fesharaki (tbc)\, Moritz Friese\, Ewelina 
 RosińskaCurated by Karina Griffith and Tobias Hering
DTSTART;TZID=Europe/Berlin:20261113T180000
DTEND;TZID=Europe/Berlin:20261113T180000
LOCATION:Kinemathek – Hall
SUMMARY:Spiralling
TRANSP:OPAQUE
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