BEGIN:VCALENDAR VERSION:2.0 PRODID:-//https://www.deutsche-kinemathek.de//NONSGML iCalcreator 2.41.92// CALSCALE:GREGORIAN METHOD:PUBLISH UID:37633663-6230-4233-a134-346434343035 X-WR-RELCALID:8991b6e5-9f40-4381-b7c6-9ec69443c255 X-WR-TIMEZONE:Europe/Berlin BEGIN:VTIMEZONE TZID:Europe/Berlin TZUNTIL:20281029T010000Z BEGIN:STANDARD TZNAME:CET DTSTART:20261025T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 RDATE:20271031T030000 END:STANDARD BEGIN:DAYLIGHT TZNAME:CEST DTSTART:20260329T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 RDATE:20270328T020000 RDATE:20280326T020000 END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT UID:2ccb264c-b9c6-4e4e-9c67-61beb05419cd DTSTAMP:20261016T021007Z CLASS:PUBLIC DESCRIPTION:As part of the film series feminist migrant queer | legacies pr esents futures\, the DFFB presents a selection of queer films from the fil m school’s past 60 years in three programs at the Deutsche Kinemathek\, Si nema Transtopia\, and Arsenal Filminstitut.Flat DesiresGermany 2017\, dire cted by Senem Göcmen\, DCP\, 4 min\, silentSenem Göcmen pulls images out o f the endless stream of the internet and the city and refuses to let any o f them mean just one thing. What she assembles instead is associative and entertaining — and open to new meaning.XX to XY: Fighting to be JakeGerman y 2002\, directed by Emily Atef\, DCP\, 21 minEmily Atef’s first film at t he DFFB is also her only documentary work: the award-winning director (“Th e Stranger in Me\,” “3 Days in Quiberon”) meets young Jake in England and accompanies him through his transition. The result is an intimate short po rtrait shaped by a tender gaze and by its protagonist’s openness.Zärtlichk eiten (Tendernesses)Germany 2017\, directed by Maria Lang\,Germany 2017\, DCP\, 29 min\, German original version with English subtitlesMoving betwee n theater rehearsals and bar nights\, Maria Lang takes us into the lesbian subculture of West Berlin\,with appearances by fellow DFFB filmmakers suc h as Verena Rudolph and Angelika Levi (as Li Levy). A fiction film with a documentary feel about love\, leisure\, and being together — and a film wi thout men.Etage X (Floor X)Germany 2016\,  directed by Francy Fabritz\, DC P\, 14 min\, German original version with English subtitlesTwo women get s tuck in a department store elevator. A sensual lesbian fantasy about what can happen out of sight when two strangers make a virtue of necessity\; ca refully staged and superbly acted.For Those Who Love\, Leave\, and Love Ag ainGermany 2025\, directed by Paolo Laganà\, DCP\, 18 min\, German and Eng lish original version with English subtitlesA young man drifts between the big city and the provinces. Amid sex\, dates\, and queer community\, he s earches for his place and always seems to remain on the margins. In auster e images\, Paolo Laganà sensitively captures a state of suspension between loneliness and belonging.Preceded by: Überwachungskamera (Surveillance Ca mera)Germany 2006\, directed by Christoph Heller\, 35mm\, 1 min\, no dialo gueA social spot for MANEO: the pan of a surveillance camera hints at a dy stopia.Guests: Senem Göcmen\, Jake Yearsley\, Francy Fabritz\, Paolo Lagan à\, Ute Aurand\, Lilly Grote\, Angelika Levi\, and othersCurated by Toby A shraf and Sophie Holzberger DTSTART;TZID=Europe/Berlin:20261112T200000 DTEND;TZID=Europe/Berlin:20261112T200000 LOCATION:Kinemathek – Hall SUMMARY:Queer Journeys TRANSP:OPAQUE X-ALT-DESC;FMTTYPE=TEXT/HTML:As part of the film series feminist migrant qu eer | legacies presents futures\, the DFFB presents a selection of queer f ilms from the film school’s past 60 years in three programs at the Deutsch e Kinemathek\, Sinema Transtopia\, and Arsenal Filminstitut.Flat DesiresGe rmany 2017\, directed by Senem Göcmen\, DCP\, 4 min\, silentSenem Göcmen p ulls images out of the endless stream of the internet and the city and ref uses to let any of them mean just one thing. What she assembles instead is associative and entertaining — and open to new meaning.XX to XY: Fighting to be JakeGermany 2002\, directed by Emily Atef\, DCP\, 21 minEmily Atef’ s first film at the DFFB is also her only documentary work: the award-winn ing director (“The Stranger in Me\,” “3 Days in Quiberon”) meets young Jak e in England and accompanies him through his transition. The result is an intimate short portrait shaped by a tender gaze and by its protagonist’s o penness.Zärtlichkeiten (Tendernesses)Germany 2017\, directed by Maria Lang \,Germany 2017\, DCP\, 29 min\, German original version with English subti tlesMoving between theater rehearsals and bar nights\, Maria Lang takes us into the lesbian subculture of West Berlin\,with appearances by fellow DF FB filmmakers such as Verena Rudolph and Angelika Levi (as Li Levy). A fic tion film with a documentary feel about love\, leisure\, and being togethe r — and a film without men.Etage X (Floor X)Germany 2016\,  \;directed by Francy Fabritz\, DCP\, 14 min\, German original version with English s ubtitlesTwo women get stuck in a department store elevator. A sensual lesb ian fantasy about what can happen out of sight when two strangers make a v irtue of necessity\; carefully staged and superbly acted.For Those Who Lov e\, Leave\, and Love AgainGermany 2025\, directed by Paolo Laganà\, DCP\, 18 min\, German and English original version with English subtitlesA young man drifts between the big city and the provinces. Amid sex\, dates\, and queer community\, he searches for his place and always seems to remain on the margins. In austere images\, Paolo Laganà sensitively captures a stat e of suspension between loneliness and belonging.Preceded by: Überwachungs kamera (Surveillance Camera)Germany 2006\, directed by Christoph Heller\, 35mm\, 1 min\, no dialogueA social spot for MANEO: the pan of a surveillan ce camera hints at a dystopia.Guests: Senem Göcmen\, Jake Yearsley\, Franc y Fabritz\, Paolo Laganà\, Ute Aurand\, Lilly Grote\, Angelika Levi\, and othersCurated by Toby Ashraf and Sophie Holzberger END:VEVENT END:VCALENDAR