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TZID:Europe/Berlin
TZUNTIL:20281029T010000Z
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TZNAME:CET
DTSTART:20251026T030000
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
RDATE:20261025T030000
RDATE:20271031T030000
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UID:78779a3a-7fd3-42aa-bef3-1f542e62658d
DTSTAMP:20261019T170132Z
CLASS:PUBLIC
DESCRIPTION:Warm-up – Specialist event IIIWith: Michael Schneider This pres
 entation by DFT is intended for archivists\, film restoration specialists 
 and professionals involved in preserving historically significant and phys
 ically compromised film collections. It addresses the challenges of digiti
 zing fragile film materials – including their shrinkage\, warping and degr
 aded perforations – and examines how technological developments are enabli
 ng the safer and more accurate digitization of films that were once consid
 ered too fragile to scan. Drawing on archival case studies from the Istitu
 to Luce film company at Cinecittà in Rome\, the presentation will demonstr
 ate how technologies can support archival workflows by reducing the prepar
 atory work required before the scanning stage.The session will provide an 
 overview of new technologies in archival film digitization\, and of the cr
 itical role of continued collaboration between technology developers and a
 rchivists.In English
DTSTART;TZID=Europe/Berlin:20261021T173000
DTEND;TZID=Europe/Berlin:20261021T173000
LOCATION:Kinemathek – Studiokino
SUMMARY:“Too Fragile to Scan”: Addressing the Physical Challenges of Film M
 aterial
TRANSP:OPAQUE
X-ALT-DESC;FMTTYPE=TEXT/HTML:Warm-up – Specialist event IIIWith: Michael Sc
 hneider&nbsp\;This presentation by DFT is intended for archivists\, film r
 estoration specialists and professionals involved in preserving historical
 ly significant and physically compromised film collections. It addresses t
 he challenges of digitizing fragile film materials – including their shrin
 kage\, warping and degraded perforations – and examines how technological 
 developments are enabling the safer and more accurate digitization of film
 s that were once considered too fragile to scan. Drawing on archival case 
 studies from the Istituto Luce film company at Cinecittà in Rome\, the pre
 sentation will demonstrate how technologies can support archival workflows
  by reducing the preparatory work required before the scanning stage.The s
 ession will provide an overview of new technologies in archival film digit
 ization\, and of the critical role of continued collaboration between tech
 nology developers and archivists.In English
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