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METHOD:PUBLISH
UID:64376436-3363-4332-a163-613437616138
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BEGIN:VTIMEZONE
TZID:Europe/Berlin
TZUNTIL:20281029T010000Z
BEGIN:STANDARD
TZNAME:CET
DTSTART:20251026T030000
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
RDATE:20261025T030000
RDATE:20271031T030000
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DTSTART:20260329T020000
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RDATE:20280326T020000
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BEGIN:VEVENT
UID:78779a3a-7fd3-42aa-bef3-1f542e62658d
DTSTAMP:20260902T192833Z
CLASS:PUBLIC
DESCRIPTION:With: Michael Schneider This presentation by DFT is intended fo
 r archivists\, film restoration specialists and professionals involved in 
 preserving historically significant and physically compromised film collec
 tions. It addresses the challenges of digitizing fragile film materials – 
 including their shrinkage\, warping and degraded perforations – and examin
 es how technological developments are enabling the safer and more accurate
  digitization of films that were once considered too fragile to scan. Draw
 ing on archival case studies from the Istituto Luce film company at Cineci
 ttà in Rome\, the presentation will demonstrate how technologies can suppo
 rt archival workflows by reducing the preparatory work required before the
  scanning stage.The session will provide an overview of new technologies i
 n archival film digitization\, and of the critical role of continued colla
 boration between technology developers and archivists.In English
DTSTART;TZID=Europe/Berlin:20261021T173000
DTEND;TZID=Europe/Berlin:20261021T173000
LOCATION:Kinemathek – Studiokino
SUMMARY:“Too Fragile to Scan”: Addressing the Physical Challenges of Film M
 aterial
TRANSP:OPAQUE
X-ALT-DESC;FMTTYPE=TEXT/HTML:With: Michael Schneider&nbsp\;This presentatio
 n by DFT is intended for archivists\, film restoration specialists and pro
 fessionals involved in preserving historically significant and physically 
 compromised film collections. It addresses the challenges of digitizing fr
 agile film materials – including their shrinkage\, warping and degraded pe
 rforations – and examines how technological developments are enabling the 
 safer and more accurate digitization of films that were once considered to
 o fragile to scan. Drawing on archival case studies from the Istituto Luce
  film company at Cinecittà in Rome\, the presentation will demonstrate how
  technologies can support archival workflows by reducing the preparatory w
 ork required before the scanning stage.The session will provide an overvie
 w of new technologies in archival film digitization\, and of the critical 
 role of continued collaboration between technology developers and archivis
 ts.In English
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