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TZUNTIL:20281029T010000Z
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TZNAME:CET
DTSTART:20251026T030000
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RDATE:20271031T030000
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UID:be7cc73e-6e02-46d3-a399-7254ec5a939b
DTSTAMP:20260902T154023Z
CLASS:PUBLIC
DESCRIPTION:With: Sophie Tsotridis (Cinematek) and Michal Bregant (Národní 
 filmový archiv) AI technology is constantly accelerating and fiercely dyna
 mic. From the point of view of film archives\, it can seem simultaneously 
 too early and too late to systematically engage with the new developments 
 – both with their risks and opportunities. This can often result in a feel
 ing of insularity or passivity. What can film archives do\, not only to ke
 ep up\, but also to claim an active role in how this technology is shaping
  the ways in which film heritage is preserved\, made accessible and unders
 tood?This session marks the launch of a peer learning initiative which is 
 bringing archivists together to explore and respond to AI developments in 
 the sector. Rather than a panel\, this will be a working session – a first
 \, hands-on exploration of the questions and challenges the sector is coll
 ectively facing\, and a space to shape what comes next.In EnglishThis work
 shop follow directly after the presentation “The End of Authenticity\, or 
 A Sea Change in Film Restoration? Considering the Risks and Opportunities 
 of AI Tools in Film Heritage”.
DTSTART;TZID=Europe/Berlin:20261021T153000
DTEND;TZID=Europe/Berlin:20261021T153000
LOCATION:Kinemathek – Hall
SUMMARY:Collaborative Approaches to AI: Exploring the Scope for Archival Ag
 ency
TRANSP:OPAQUE
X-ALT-DESC;FMTTYPE=TEXT/HTML:With: Sophie Tsotridis (Cinematek) and Michal 
 Bregant (Národní filmový archiv)&nbsp\;AI technology is constantly acceler
 ating and fiercely dynamic. From the point of view of film archives\, it c
 an seem simultaneously too early and too late to systematically engage wit
 h the new developments – both with their risks and opportunities. This can
  often result in a feeling of insularity or passivity. What can film archi
 ves do\, not only to keep up\, but also to claim an active role in how thi
 s technology is shaping the ways in which film heritage is preserved\, mad
 e accessible and understood?This session marks the launch of a peer learni
 ng initiative which is bringing archivists together to explore and respond
  to AI developments in the sector. Rather than a panel\, this will be a wo
 rking session – a first\, hands-on exploration of the questions and challe
 nges the sector is collectively facing\, and a space to shape what comes n
 ext.In EnglishThis workshop follow directly after the presentation “The En
 d of Authenticity\, or A Sea Change in Film Restoration? Considering the R
 isks and Opportunities of AI Tools in Film Heritage”.
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