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TZUNTIL:20281029T010000Z
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DTSTART:20251026T030000
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RDATE:20271031T030000
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CLASS:PUBLIC
DESCRIPTION:With: Ulrich Rüdel (HTW Berlin)\, Franziska Heller (Martin Luth
 er University Halle-Wittenberg) and Tom Vincent (Aardman Animations) The d
 igital modification of historical audiovisual works has had a large impact
  on film restoration since the early 1990s. However\, we have only recentl
 y developed formal guidelines for ethical restoration. The emergence of AI
  may lead to another quantum leap in the potential and ethical challenges 
 of digital techniques\, necessitating a thorough analysis of sources and d
 ata\, and scrutiny of current and future digital tools.Taking a decidedly 
 trans-disciplinary approach\, this event will discuss concepts and case st
 udies from commercial film (post) production and film preservation trainin
 g\, ranging from materials science to digital media and cultural studies. 
 We will look at selected examples with reference to the development of dig
 ital film restoration and its ethics\, the latter in particular to further
  the discussion on our recently proposed Shiryaev Memorandum whose draft o
 f 10/2025 argues for a dedicated framework of AI restoration ethics. Conse
 quently\, we will highlight not only apparent opportunities\, but also the
  severe risks of AI image manipulation in film restoration of the future\,
  in both the professional field and with regards to the broader public.In 
 EnglishThe Workshop “Collaborative Approaches to AI: Exploring the Scope f
 or Archival Agency” will follow immediately afterward.
DTSTART;TZID=Europe/Berlin:20261021T150000
DTEND;TZID=Europe/Berlin:20261021T150000
LOCATION:Kinemathek – Studiokino
SUMMARY:The End of Authenticity\, or A Sea Change in Film Restoration? Cons
 idering the Risks and Opportunities of AI Tools in Film Heritage
TRANSP:OPAQUE
X-ALT-DESC;FMTTYPE=TEXT/HTML:With: Ulrich Rüdel (HTW Berlin)\, Franziska He
 ller (Martin Luther University Halle-Wittenberg) and Tom Vincent (Aardman 
 Animations)&nbsp\;The digital modification of historical audiovisual works
  has had a large impact on film restoration since the early 1990s. However
 \, we have only recently developed formal guidelines for ethical restorati
 on. The emergence of AI may lead to another quantum leap in the potential 
 and ethical challenges of digital techniques\, necessitating a thorough an
 alysis of sources and data\, and scrutiny of current and future digital to
 ols.Taking a decidedly trans-disciplinary approach\, this event will discu
 ss concepts and case studies from commercial film (post) production and fi
 lm preservation training\, ranging from materials science to digital media
  and cultural studies. We will look at selected examples with reference to
  the development of digital film restoration and its ethics\, the latter i
 n particular to further the discussion on our recently proposed Shiryaev M
 emorandum whose draft of 10/2025 argues for a dedicated framework of AI re
 storation ethics. Consequently\, we will highlight not only apparent oppor
 tunities\, but also the severe risks of AI image manipulation in film rest
 oration of the future\, in both the professional field and with regards to
  the broader public.In EnglishThe Workshop “Collaborative Approaches to AI
 : Exploring the Scope for Archival Agency” will follow immediately afterwa
 rd.
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END:VCALENDAR