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TZUNTIL:20281029T010000Z
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CLASS:PUBLIC
DESCRIPTION:With: Julia Wallmüller (Deutsche Kinemathek) Hans Tintner’s ‘Cy
 ankali’ was a pivotal film in the campaign to reform the controversial Sec
 tion 218 of the Weimar legal code which criminalized abortion. The film we
 nt before the censorship board a total of six times and was accused of cor
 rupting public morals\, having a brutalizing effect\, inciting class hatre
 d and endangering public safety and order.‘Cyankali’ was made on the cusp 
 of the sound-film era. It contains intertitles but also came with a soundt
 rack comprising music and sound effects\, and it had spoken dialogue at it
 s climax. The audio\, recorded using the Tri-Ergon optical sound process\,
  has only been partially preserved\, with six of the original ten reels of
  the optical sound negative surviving. The film’s original image negative 
 also contains gaps. Alongside providing a history of the film’s release\, 
 this presentation will discuss the challenges which arose during its resto
 ration given the condition of the surviving materials.In English
DTSTART;TZID=Europe/Berlin:20261022T100000
DTEND;TZID=Europe/Berlin:20261022T100000
LOCATION:Si̇nema Transtopia
SUMMARY:‘Cyankali’: A Film That Spoke Out
TRANSP:OPAQUE
X-ALT-DESC;FMTTYPE=TEXT/HTML:With: Julia Wallmüller (Deutsche Kinemathek)&n
 bsp\;Hans Tintner’s ‘Cyankali’ was a pivotal film in the campaign to refor
 m the controversial Section 218 of the Weimar legal code which criminalize
 d abortion. The film went before the censorship board a total of six times
  and was accused of corrupting public morals\, having a brutalizing effect
 \, inciting class hatred and endangering public safety and order.‘Cyankali
 ’ was made on the cusp of the sound-film era. It contains intertitles but 
 also came with a soundtrack comprising music and sound effects\, and it ha
 d spoken dialogue at its climax. The audio\, recorded using the Tri-Ergon 
 optical sound process\, has only been partially preserved\, with six of th
 e original ten reels of the optical sound negative surviving. The film’s o
 riginal image negative also contains gaps. Alongside providing a history o
 f the film’s release\, this presentation will discuss the challenges which
  arose during its restoration given the condition of the surviving materia
 ls.In English
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