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DESCRIPTION:Summer\, 1942. When the farmer Heinrich is drafted into the arm
 y\, his farm’s existence comes under threat because his wife Kathrin and h
 is sister Frieda cannot manage the work alone. The Nazi authorities force 
 a group of Soviet prisoners of war\, closer to death than life\, to work i
 n the village. Stepping into her brother’s shoes\, Frieda ensures that one
  of the prisoners is sent to work on her farm and commands him with an iro
 n fist. Kathrin feels defenseless against Frieda’s emotional coldness and 
 hides her loneliness\, while her feelings of resentment about her own exis
 tence grow. Director Maxim Dessau took a considerable personal risk with t
 his\, his debut feature film\, after he was forced to abandon his previous
  project ‘Schnauzer’ for political reasons years before. Rather than confo
 rming to popular taste\, he and his co-creators made radical aesthetic cho
 ices\, eschewing the standard DEFA practice of post-synchronization in fav
 or of original sound and choosing a fragmentary narrative style captured b
 y enthralling black-and-white cinematography.‘First Loss’\, GDR 1990\, dir
 ector: Maxim Dessau\, 96 min\, OV with EN subtitles Talk with: Maxim Dessa
 u (director)\, Peter Badel (cinematographer) snd Philip Zengel (DEFA-Stift
 ung)In German
DTSTART;TZID=Europe/Berlin:20261024T170000
DTEND;TZID=Europe/Berlin:20261024T170000
LOCATION:Si̇nema Transtopia
SUMMARY:Erster Verlust
TRANSP:OPAQUE
X-ALT-DESC;FMTTYPE=TEXT/HTML:Summer\, 1942. When the farmer Heinrich is dra
 fted into the army\, his farm’s existence comes under threat because his w
 ife Kathrin and his sister Frieda cannot manage the work alone. The Nazi a
 uthorities force a group of Soviet prisoners of war\, closer to death than
  life\, to work in the village. Stepping into her brother’s shoes\, Frieda
  ensures that one of the prisoners is sent to work on her farm and command
 s him with an iron fist. Kathrin feels defenseless against Frieda’s emotio
 nal coldness and hides her loneliness\, while her feelings of resentment a
 bout her own existence grow. Director Maxim Dessau took a considerable per
 sonal risk with this\, his debut feature film\, after he was forced to aba
 ndon his previous project ‘Schnauzer’ for political reasons years before. 
 Rather than conforming to popular taste\, he and his co-creators made radi
 cal aesthetic choices\, eschewing the standard DEFA practice of post-synch
 ronization in favor of original sound and choosing a fragmentary narrative
  style captured by enthralling black-and-white cinematography.‘First Loss’
 \, GDR 1990\, director: Maxim Dessau\, 96 min\, OV with EN subtitles&nbsp\
 ;Talk with: Maxim Dessau (director)\, Peter Badel (cinematographer) snd Ph
 ilip Zengel (DEFA-Stiftung)In German
END:VEVENT
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