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TZUNTIL:20281029T010000Z
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CLASS:PUBLIC
DESCRIPTION:The improbable but true story of Michigan con man Douglas Stree
 t\, a “chameleon” who successfully impersonated his way up Reagan-era Amer
 ica’s socioeconomic ladder by posing as a magazine reporter\, an Ivy Leagu
 e student\, a surgeon and a corporate lawyer. At once piercingly funny and
  aesthetically mischievous\, the film trains a lens on race\, class and pe
 rformance. Starring\, written and directed by Wendell B. Harris Jr.\, the 
 economically precarious production was privately funded by the Harris fami
 ly and other Black investors. Despite its critical success at the Sundance
  Film Festival\, where it won the Grand Jury Prize\, ‘Chameleon Street’ ne
 ver found a distributor and Harris was unable to recoup the money to repay
  his investors. The film\, which has been dubbed a “lost masterpiece of Bl
 ack American cinema” by ‘Sight & Sound’\, is long overdue being given its 
 rightful place in independent film history.USA 1989\, director: Wendell B.
  Harris Jr.\, 94 min\, OVIntroduction: Yaël Halbron (Revenante Films)
DTSTART;TZID=Europe/Berlin:20261023T200000
DTEND;TZID=Europe/Berlin:20261023T200000
LOCATION:Kinemathek – Hall
SUMMARY:Chameleon Street
TRANSP:OPAQUE
X-ALT-DESC;FMTTYPE=TEXT/HTML:The improbable but true story of Michigan con 
 man Douglas Street\, a “chameleon” who successfully impersonated his way u
 p Reagan-era America’s socioeconomic ladder by posing as a magazine report
 er\, an Ivy League student\, a surgeon and a corporate lawyer. At once pie
 rcingly funny and aesthetically mischievous\, the film trains a lens on ra
 ce\, class and performance. Starring\, written and directed by Wendell B. 
 Harris Jr.\, the economically precarious production was privately funded b
 y the Harris family and other Black investors. Despite its critical succes
 s at the Sundance Film Festival\, where it won the Grand Jury Prize\, ‘Cha
 meleon Street’ never found a distributor and Harris was unable to recoup t
 he money to repay his investors. The film\, which has been dubbed a “lost 
 masterpiece of Black American cinema” by ‘Sight &amp\; Sound’\, is long ov
 erdue being given its rightful place in independent film history.USA 1989\
 , director: Wendell B. Harris Jr.\, 94 min\, OVIntroduction: Yaël Halbron 
 (Revenante Films)
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